I'm not a lawyer, but I'm still stewing on that reference to the U.S. case law that's in place now.
I'd like to move on to Music Canada. I'll try to get to everyone. If I don't, please don't take it personally.
With regard to high-impact systems, a lot of the testimony we've heard as a committee is dealing with the differentiation between high impact and low impact. With regard to the music and arts community, where would you fit yourselves in and why, in terms of high impact and low impact? We want to go after high impact, but we don't want to stifle innovation. We want to make sure the guardrails are in place for high impact, but we don't want to stifle innovation.