We will get to questions after.
Mr. Speaker, I would like to hear the heckle about Mr. Sinclair, if the member wants to say it a little louder.
I was going to read from his testimony, which I thought was very good. He said:
Times change. In the 30 years that the Hip were performing, we went from producing vinyl records and cassettes to CDs, videos and DATs through Napster, and to iTunes and YouTube, and now to streaming and its dominant platform, Spotify. Through it all, until recently, there have been live shows to make ends meet, but people no longer buy the physical products our industry produces. In the digital age, people haven't given up on music—just the idea of paying for it. That business model is unsustainable.
Mr. Sinclair goes on to later say:
Our potential as a creative nation is as vast as the country itself. Songwriters are our best cultural ambassadors. We are compelled to create, to express what we know and what we feel. We need partners in government and industry, including streaming.
Right now, somewhere in Canada, a young artist is searching for their voice, the right bit of melody to go with the perfect words. We need your help to hear those voices.
I thought it was really interesting in the speech by the member who spoke before me, the member for Calgary Nose Hill, when she said in her comments that the only people who are interested in this bill and seeing it go through who are artists are those who have made it and those who are successful, and I can only assume she is putting The Tragically Hip in that category. I would remind that member that The Tragically Hip specifically has done countless things in our community and in our country to help build up various different charities. They have given back tremendously, and one of the ways they have given back is to new and emerging artists. They were trying to lend their stardom to those who are trying to make it.
When Gord Sinclair comes before committee and pleads with the committee that this is necessary for young struggling artists, reflecting on how CanCon and the rules in the nineties, in particular, helped The Tragically Hip get to where they are, he is not doing it because he thinks there is some advantage to The Tragically Hip. They have made it. He is doing it because he wants to see new emerging artists not just survive, but flourish and see their full potential.
The reality is, when we live next to an economy that is 10 times our size, there is a tremendous amount of influence being projected into Canada from the United States. We see it on a daily basis, and it shapes the culture of Canada. If we want to ensure we can keep our unique Canadian identity, as it relates to English, French and indigenous culture, it is critically important that we invest and help. We will be swallowed up by the impacts and the effects from the United States.
I asked a question earlier, and I will repeat it.
When I grew up in the 1980s, I watched TV Ontario, or TVO. It was channel 2, which we watched after dinner. I would watch Today's Special, the Polka Dot Door and all those other shows a five-, six- or seven-year-old would watch. Now, for my two youngest children, my six-year-old and four-year-old, it is a fight over who gets to use my wife's iPad to watch YouTube, and the content they are watching is not influenced by Canadian culture and Canadian identity like the shows I watched in the 1980s were.
Conservatives can come in here and try to mislead, and to misrepresent the reality of this bill. I actually think they are so caught up in the rhetoric that many of them actually believe it. They actually believe what they are saying, which I think is even more alarming, because the reality is that, when we look at the content of the bill, members will see that this is not about government trying to impose its own views. It is not about government propaganda, as it has been conflated, by several Conservative MPs, with what happens in communist dictatorships. This is about ensuring Canadian content can survive when we live next to a cultural, social and economic superpower, the United States, which is 10 times the size of our country. I think Conservatives know that.
I think Canadians understand what this is really about, unless they are living in the bubble of the Conservatives and Michael Geist, who, I am sure, is tweeting all of this. Let me say “hi” to Michael and ask how he is doing. Unless they are living in that bubble, I think Canadians really get what this is all about. It is not about control; it is about trying to ensure Canadian content survives into the future. From my perspective, it is most important with young people, who are being influenced for the first time, like my children, in watching all of these videos.
Canadians might have concerns and be thinking, “Well, I don't know where to land on this. I don't know, because I'm not getting all the information. Are the Liberals telling the truth? Are the Conservatives telling the truth? Who is really telling the truth?”
I would tell them to look at who supports this bill in this chamber. The Liberals support it, the NDP supports it and the separatist party supports it. Can members imagine the separatist party going along with the government and cabinet to create algorithms on what people could see in Quebec? It is probably the most ludicrous suggestion, and it is coming from Conservatives, but they have no problem doing it.
The Conservatives have no problem doing it, because it all goes back to the way I opened this speech before question period: It all goes back to fundraising. It all goes back to stirring their base and generating more fundraising for political gain. It is extremely unfortunate that Conservatives have taken an issue so incredibly important for Canadian culture and turned it into a cash cow, and they have successfully done that. I tip my hat to them. If that was their objective, they succeeded. However, they are not helping Canadians, they are not helping Canadian culture and they are not helping Canadian artists the way Gord Sinclair and The Tragically Hip, along with countless other Canadians, are trying to help them.